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Shot on Red MX with Cooke Mini S4. This was a very simple and elegant idea from director Oscar Sansom. We shot every frame before the room turned white, then furiously painted the room white  and shot every shot again, matching up exact camera positions, lens size, angles and depth of field so that we could slowly transition the whole room into a white space. 


director | Oscar Sansom
producer | Beth Allan
dop | David Liddell

company | Forest Of Black

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